B014
Chart Study - Sade
I feel as if Sade’s music sits deep in my unconscious because when I recently bumped into her music in a more so conscious manner, her music felt so familiar and canny. She has since quickly escalated to one of my favourite musical artists of all time, which is something I would not say lightly. I listen to a lot of styles of music and what I appreciate about Sade’s music is the way the pieces fit while leaving mystery to the question of who is the person behind the distinct voice of Sade’s music?
For whatever reason, Sade’s vibe instantly struck me very similar to Enya, while very different in styles of delivery, their voices are sonically sound in stature. Both with rich qualities to the tonality of their voices perhaps. I’d imagine I was exposed to Sade’s music often in my youth as she had three albums and had won a Grammy before I was even born, so her music would have been played frequently on the radio and in the media while I was growing up. I have also been aware of various DJ bootlegs of her music so I can’t deny I didn’t know who she was, I had just never actively sought out her music past what had been presented to me.
In observation - now - her legacy during the 90’s was perhaps another flawless example of why ‘Pop-ular’ music was so interesting in the United Kingdom during this era, as the charts had reached a place where many genres were making the count down - be it: Pop, Hip Hop & Rap, House, BreakBeat, Disco, Reggae, Folk, Funk, Rock N Roll, Jungle Drum & Bass, Techno, or Garage, the 90’s held space for what felt like a very confident mixture of music mutating into new and exciting sub genres.
As I said, in early 2022, Sade’s music bumped into my conscious passenger, intrigued, I naturally began investigating her music. While early in my experiment, I had immediately felt that there was Manifestor-Aura energy in the impact of Sade’s music, this was without knowing too much about her personal life or having ever heard her music in much of a conscious focus. Listening to her music, I could also recognise a signature that sounded mutative and adaptable throughout various different styles of her music. Her music was out there in such a big way, I could sense it.
Her voice speaks so deeply that I almost feel as if she speaks directly to me when she sings. Her music makes me feel very seen, and relaxed, and I really haven’t sought out her music, it came to me in overdrive in the heat of a summer, very heart broken, and rather alone.
While it reads cliché, her music brought me great healing towards peace and quiet of my qualms and heart ache.
In the following Blog posts - B015 & B016 ‘Singing Songs of Sade’ - I am certain my playlist feature, will be a focus of Sade’s music like you have never heard her before! In the following entry I share about the tracks in the playlist that I have curated.
Sade’s music is a wild card in the sense she is musically adaptive while still holding stylistic format and essence across a spread of genres and influences.
It’s hard to adequately credit the band throughout such detailed coverage however I am sure I will find myself searching for their data soon enough, and that they are certainly to credit for providing a backbone for her style and performances to diversify and adapt.
Whether it is Neo-Soul, Sophisti-Pop, Smooth Jazz, Hip Hop, or Quiet Storm R&B, her voice has a timbre that can present itself in many different styles. It’s the connection she has with her band that allowed her a safe place to take songs to delicate formats and themes, and she works with them in the writing process to maximize the impact of her band’s music.
So let’s take a look at the chart data behind the voice of Helen Folasade Adu.
Born January 16 1959 Ibadan, Nigeria. Seemingly - I was accurate about her Manifestor-Aura - as we can see, the potential outcome of her Aura-Type is consistent the entire 24 hours of the day.
Her Personality-Conscious Sun-Gate-61 is either a 61.5 or a 61.6, depending on the Profile assignment and or outcomes, which is interesting in a few observations when noting my admiration for her music, and to focus, the opening comment I made in this blog entry - which I had made ahead of the data investigation.
My comment about her music sitting in ‘my unconscious’ becomes remarkably evident in comparison of observation between my Design-Unconscious Sun & Earth-Gate to her Personality-Conscious Sun & Earth-Gate…
For deeper context, Gate-61.5 alongside 24.4 sits in my Personality-Conscious, and Gate-61.3 sits in my Design-Unconscious as my Sun-Gate, so this is a channel I have 3 activations in. Sade has Sun-Gate-61 in her Personality-Conscious so perhaps this is truly why her music speaks so largely to my melancholic mind of the 61-24 Channel Of Awareness.
This goes further when considering her potential Sixth-Line Personality-Conscious Earth-Gate-62.6, while I have this in my Design-Unconscious Earth-Gate-62.3. Not to forget her potential for a Personality-Conscious Sun-Gate 61.6 to my Design-Unconscious Sun-Gate-61.3.
Is there such a thing as harmonic ‘Gate-Lines’?
This is an adoring observation of the dynamic of Sun and Earth-Gates between our Design-Unconscious and Personality-Conscious, and while I had glanced at her chart data and Aura a long time ago, the comments about her music in my unconscious were genuinely felt and foreseen in the music, and just me rambling adoringly - as I do. I had never made this observation of Sun & Earth Gates before, and writing this did not come from Human Design BodyGraph knowledge, or study or comparison of our data. I really mean it, she’s become one of my favourite artists of all time, and I sensed her music like a familiar friend that I could not explain how we met.
At midday, as a 6th line Personality, she even has ‘my’ Personality-Conscious Sun Gate-42.1 activated in her Aries-Moon placement. Aries placements always make for insatiable cuties so maybe this is a clue into the fun-loving playful side of her music and enthusiasm that I simply adore and find myself so in tune with. Is this also a clue into a potential birth time? Pushing 4 minutes past 12pm she would become a Base 3 which is considered as double Yin, or the mother base in Base-Theory, which she does have very motherly vibes to her presence and singing/song writing, as well as did become a very supportive and loving mother in her life. I also feel this Sixth-Line with Emotional-Authority is perhaps a more accurate outcome than a Fifth-Line with Splenic-Authority, as with this Sixth-Line outcome, her having Emotional-Authority makes sense that she rides a themed wave of waiting in her life.
★ 12:05pm Sade 6/2 Emotional Manifestor-Aura
The ‘midday time Gate-42.1 Aries-Moon outcome’ places her as a 6/2 Emotional-Authority Manifestor-Aura, and in many ways her music has peered me to the better decisions or at least has tremendous value to calming my nervous system and adorable Aries flaming temperament. The impact of her music really speaks to the moment of my troubles and returns me to the now of my Splenic-Authority.
If you have a partner that you care about in your life who has significant Aries energy, it’s important to tuck them in at night, as it’s tough shining so bright like an Aries. As natural trailblazers, and leaders of the Zodiac, we are natures cuties who smile upon the world to shine the light of day for others.
I also see she has two activations in Gate-28, which is interesting for me in my recent experiment and investigations of the Channel of Struggle, and what I am learning about my 4 activations in Gate-38, in particular the two activations in my Design-Unconscious Gate-38.4.
In the theme of my Projector-Aura focusing outward and recognising others, I also absorb and recognise aspects of my own True-Self qualities while peering outward. In particular with my quadrant of a hanging Gate-38 I am seeing how focusing on people with Gate-28 can help me get a sense of how they value the ‘struggle’ and battles they choose. The Channel of Struggle 28-38 is such an Aries channel too… ‘a channel of stubbornness’… with the Gate-38 dubbed ‘The Fighter’ is perhaps why I have found myself turning to her music when all other beacons are out, and her voice really redirects my energy and internal struggle to a calm still. There was a time this past summer where I could not pay for my Spotify account, and this caused an absence in her music in my life, and the calm and dignity it brings me. Apple Music just hooked me up with 6 month free trial, and she’s back on repeat to keep my Aries flame at a tame heat.
To be clear she is also a Capricorn Sun, and I have 8 Gate activations in Capricorn. I’ve seen Sade quoted saying: ‘Someone told me I am a Capricorn, born under the saddest star.’ Bless her! I also came across this quote below while diving deep on some timelines and placements in Sade’s Astrology, with the following being from the midday estimation birth time which potentially speaks to the level of her independence, and lyrically the humility she shows for others struggles in life, which even awarded her a CBE for her prominent national role:
“Chiron in Aquarius is a unique individual who has a strong, humanitarian leaning. There is a natural desire to have an impact on the world through selfless acts and organization; however they also have an innate need to be independent and their own leader.”
★ Ryanhart.org - Chiron in Aquarius
This theme of independence and being bold in her confidence certainly could warrant an Aries-Rising placement, which I did not see when I had added this chart into the post, and this would make a good anchor to explore other outcomes. Aries-Moon and Aries-Rising?… So what we are seeing is that she is in fact a super-cutie?
Digging into her personal life, the media wanted to sell us that she was notorious for being closed off to the public, and fans have passionately waited with patience for performances and future albums. While aspects of this can be pointed at as truth, maybe this was amplified by both the grotesque presence of tabloids in society, and the heights of expectation that being a musician can present to its successors. All things considered I do not think she would deny this closed Aura and life she lived, as she has stood behind it countless times in interviews. Rightly so.
As much as the Aries-Moon Gate-42.1 in accordance with my Aries-Sun Gate-42.1 is beyond adoring, we can not deny the potential for ‘seductive’ Fifth-Line projection in her personality…. When weighing in on the Fifth-Line or Sixth-Line Personality-Conscious, does she universalise the message of the hexagram and or define the roof of the hexagram? Or has she sat upon the roof as a role model of what a hexagram can achieve? This would be the ultimate question to lock in parameters of her birth time. It is VERY hard to ignore the potential of Fifth-Line in this investigation and the further I dive into her personal life. It has also been outstanding the amount of rumours I have had to discern in writing this post.
When you look at her role in the band as a Fifth-Line, for example, she is very much the ‘stranger of consequence’ or general of the band who lifted them to stardom and saved the crisis - the heretic perhaps offering a practical solution, fixing the problem(s)? However the original band ‘Pride’ band was not so much failing or incapable, it just wasn’t comparable without her as a lead front of the band and stage. Once this dynamic was experimented and established, the impact of leading with her as the entire focus speaks - to me - more about the leadership of her Manifestor-Aura than the Personality-Conscious ‘Line’ but to moderate on this detail, her spot light also alludes to the Role Model of the Sixth-Line quite suitably. Respectably she is extremely talented and earned that place, and the power of her closed Aura protected her to be placed so vulnerable as the lead.
She claims to be shy, and at a short glance is a fairly quaint person, but the power behind her Aura is enormous. Her set at the first ever Live Aid in 1985 Wembley Arena witnessed many musicians from around the world raising money and awareness for famine in Ethiopia. Being an African born woman performing songs like ‘Why can’t we live together’ on the same roster and stage as artists like Paul McCartney, The Who, U2, Sting, Queen, and Elton John to name a few, is an epic testament to her music. Especially given her debut album Diamond Life had been released only the previous year. She’s such a boss and was the only woman headlining in England that day.
On this rare English sunny afternoon, her shy presence can be seen in the vulnerability of such a large crowd and large stadium, but her beloved band are right there with her and so is her tremendous Manifestor-Aura. The audience that day was in estimations of 75,000 people, and it is said to have also been televised to 1.4 billion people.
The set list opened with ‘Why Can’t We Live Together’ followed by ‘Your Love Is King’ ending on ‘Is It A Crime’. Mc’ed onto stage as: ‘This lady is an Anglo-Nigerian with a very beautiful voice… with her band please welcome Sade.”
The crowd has already gone crazy by this moment, the percussion has already started, as the band waste no time in exercising their practiced artistry and as if just another day, begin to check in on their live levels - having come onto stage with no soundcheck. What we don’t see in the available mixed and cut video versions - but hear in the audio releases - is a very long tease and jam format delivered by the band. The claps of the audience join in with the groove and rhythm sections and eventually begin to fade down after a long valiant welcome to the stage. The band now claims flight to the airways and begins its launch sequence into a higher pitch and the song’s musical bridge. Sade reaches for the stars in sync with the guitar chords of the bridge before the track regroups one more time with the organs and guitars we knew previously to the bridge. While we don’t have visual confirmation of this I theorise that Sade smiles brightly during this final intro section, as the crowd roars one more time, but what we do know from listening to the full version is that it is at this moment her voice becomes the mic drop. After two minutes of her waiting while her band hold space for her, she opens the set by singing a signature piece.
“Tell me why, tell me why, tell me why
Mmm, why can't we live together?
Tell me why, tell me why
Mmm, why can't we live together?
Everybody wants to live together
Why can't we be together?
No more war, no more war, no more war
Mmm, just a little peace
No more war, no more war
All we want is some peace in this world
Everybody wants to live together
Why can't we be together?
No matter, no matter what colour
Mmm, you are still my brother
I said, "No matter, no matter what colour
Mmm, you are still my brother"
Everybody wants to live together
Why can't we be together?”
★ Live Aid 1985 Wembley Stadium - Why Can’t We Live Together by Sade
In an interview after the show she confidently trolled interviewer Mark Ellen after he asked “You’re probably quite used to these enormous venues aren’t you?” She sarcastically informed him and the viewers by saying “Oh yeah, every week we perform to 80,000 people, yeah!”. No big deal! It’s here where she speaks to the no sound check, the spirit of the performance, as well as stating it would be better to ask the audience what the highlight was, as a band they were ‘removed’ from the experience. She often makes very humble comments like this, and speaking here to the impact of her audiences, as the most important takeaway.
She performed three songs that afternoon with triumph and popularity as a crowded stadium was gripped by the grace of her daytime performance. I love how she opened singing like a True-Self Manifestor-Aura, informing for peace as our leader and role model and soldier of love: “No more war, no more war, no more war, Mmm, just a little peace.”
I felt such a strong sense of love in her Live Aid performance and this was a huge gig for the band, and came from only the first year of a long standing career. It’s beautiful to review this safe space that her 8 piece band held for her in their opening song and introduction, and then ultimately the journey they were setting out on as she was joined that day by not only her founding and core members: Stuart Matthewman (sax), Paul Denman (bass), Andrew Hale (keyboard) but also Dave Early (drums), Martin Ditcham (percussion), Terry Bailey (trumpet) and Gordon Matthewman (trombone). Her Pride and tribe.
★ Sade & her boys: Stuart Matthewman, Andrew Hale , Paul Denman 1986
At the debut Live Aid, their unity in knowledge and experience of playing as a band together brought them wisdom to ease into their first song and quite literally surrender to Sade as the front and lead, after a timely taciturn tease. By jamming for a few minutes in their opening song they waste no time to sound check, relax, and support their lead by holding a safe space for her to find peace on stage while she waited to sing.
It made me smile learning about a rumour about her waiting Aura’s impact, fifteen years later in the city of New York. There was reportedly some vandalism wrote on a billboard advertising her music that she has ‘reportedly’ heard about and ‘approved of’ which stated:
“Bitch sings when she wants to.”
★ New York Billboard - Unknown Vandal
While I can say the 6/2 Profile makes a lot of sense regarding the Second-Line energy also, the latter does not rule out the possibility of the Fifth-Line Personality-Conscious. There is a potential for the 5/2 Profile as a Splenic-Authority still in play, however in theme with her Manifestor-Aura and personal life, I sense she very much unconsciously hermits waiting for emotional clarity in peace. Once again, I feel like Emotional-Authority makes more sense. I can also see the Third-Line stage of her life ‘bumping’ into a microphone and band and being like ‘Cool’…
Either way the Second-Line Design-Unconscious having a ‘knack’ and calling to her talent is also likely. The 5/2 Profile between the hours of 6-9am would be a strong field of projection that this profile holds alike to the body of her work being perceived globally.
Given the personal ‘theme-schematics’ of my life, the Heretic’s energy has sincerely looked out for this lil’ 1/3, so maybe Sade’s potential to be a Fifth-Line stepping in to save the day when I am sad is yet another blessing of genetics and geometry, and there for Heretic’s in my life. In these moments though I do feel more so that her music feels like a leading Role Model of someone who found peace. She achieved this by protecting herself and leading by example, rather than stepping in and saving the day to be peaceful. She also has had a huge impact on so many people, whereas Fifth-Lines have a larger sense of accountability for their transpersonal experience.
“Humanity is evolving away from the universalizing savior/general 5th line toward the 6th line process of self-leadership, and self mastery, based on self-acceptance and self-awareness. Those with Line 6 in their profile are here to show us how to make that transition correctly. After the age of 50, they are here to model transcendence, or what it is like to live our truth as an authentic, objective and aware human being.”
★ Line 6 Role Model - The Definitive Book of Human Design.
Focusing this quote onto her music, her third album ‘Stronger Than Pride’ came out in April 5th 1988, months before her Saturn-Return in Aug 25th 1988, and her latest studio album ‘Soldier of Love’ was a year after her Chiron-Return in January 13 2009 (50 years old) and was her 6th studio album, coincidentally?
Is this ‘Soldier Of Love’ an Emotional-Authority, Aries-Moon, Aries-Rising, Role-Model, returning as a Sixth-Line warrior of the heart, coming down from the roof with her sixth studio album of true authenticity? Once a martyred romantic of smooth music and love lyrics, held against her personal relationships and lifestyle in the media light, now a proven impact of True-Self energy that’s modeled around the world through her music and being?
“Stage 3 begins with the Kiron Return at approximately 50 years of age. They are now nudged or kicked off the roof to engage fully in the world once more, this time as their authentic, optimistic 6th line self.”
★ Line 6 Role Model - The Definitive Book of Human Design.
In this timeline and age it is reported that she made herself more available to the press and media and being more open in some legendary interviews that fans got more insight into who had been the closed off personality of their beloved singer Sade.
Continuing on the ‘tripartite’ Sixth-Line exploration, from her ‘Stronger Than Pride’ Album in 1988, she was 29 years old, we saw a four year gap until her ‘Love Deluxe’ and a lot of experimenting was still going on in her life, as she was seeking a means to settle down, with two committed relationships forming and being ended in this time, how ever one of these relationships brought her first and only child in 1996, and it would be another 4 years, totalling 8 years between albums ‘Love Deluxe’ and ‘Lover’s Rock’ album, which was to be released in 2000. After touring, the album won a Grammy Award for Best Pop Vocal Album in 2002, and she took another hiatus to focus entirely on raising her child. She returned in 2009 with the latest or most recent album ‘Soldier Of Love’.
When asked in an interview about what she had been up to in these times between albums she shared:
“Ducking and diving, bobbing and weaving, waiting for a peaceful moment in my life so that I could get into the studio and just put myself totally into making the record.”
★ Sade - VH1 Interview
Peace was what she was seeking to write her music, and she was never shy to hold off, wait, and take the lead on her action and releases, stating in various interviews she saw it as logical that to ‘create’ she needed ‘life’ first to be inspired from, and that she didn’t see the comparison of being a famous singer and needing to share her personal life. She didn’t relate to the projection field of a Fifth-Line, with this field of projection perhaps making more sense as a Design-Unconscious Second-Line.
“The natural talent that 2nd lines possess does not respond well to interference of any kind.”
★ Line 2 Hermit - The Definitive Book of Human Design
Her second Saturn-Return saw her most recent re-emergence from hiatus of the public to record with her original band again - releasing a soundtrack for Disney. Sade – Flower Of The Universe is taken from Disney’s “A Wrinkle In Time” and was published in March 2018.
Looking back at her first Saturn-Return, is the album ‘Stronger Than Pride’ Sade climbing towards the roof, with the arrival of her child being approximately after a 7 year cycle of mutating form the Third-Line Martyr into the Sixth-Line Role Model, to become a focused parent role model/musician, as by this stage in her life she had achieved great stability, and in a sense a pasture to freedom and peace. It is so cool to see she used this energy primarily to focus on being a parent.
By trusting herself, she kept the outside world closed off from her, and she was known for signing very strong record deals that favoured her financials dominantly, as well as taking charge on how her albums sounded and were arranged, further indicating she had an alluding impact to her professional lead. It’s reported she signed her first record deal to pay out a higher % royalty, in exchange for waiting longer for the return and taking a smaller advance in the meantime.
In the early formation of her band ‘Sade’ the transition from it’s original alias ‘Pride’ resulted in the drummer Paul Cook leaving the band and it was reported he had doubted her for signing solo with then CBS Records in 1983, which later became absorbed into its parent label Epic Records in 1986.
In 1984 the remainder of the band would sign to the label, and she remained exclusive to them despite many prestigious offers to work with other bands throughout her career.
This break up with Cook, happened in the same year as the debut Sade album ‘Diamond Life’ was released in 1984, and in my interpretive, Cook was dismissed from the band which caused him great frustration, and Cook did produce a legal plight claiming he co-founded and formed the band Sade, and claims to have co wrote the entire debut album Diamond Life and perhaps even a song on the following album ‘Promise’. Sade was not shy to take the lead, and the impact of Paul leaving seemingly left him rather frustrated in opinion of her and the band - with legal comments about Smooth Operator like ‘John did not instruct me how to play the drums for this Song, nor do I believe that he was capable of doing so’. Ok Paul…
I’d really like to look into and investigate the band’s legacy but this post is already jam packed - but it is clear Paul Cook, published and now known as Paul Cooke, is credited for his drum work on the Diamond Life album and to some credit is given to him for forming the band by his peers but not as much as credit as he still gives himself for this - to this day. He still appears to be very wrapped up and identified with this part of his life. His Linked-In with 11k following is titled ‘Paul Cooke Founder member of Sade’. I have recently wondered if the Song ‘Stronger Than Pride’ and the lyrics ‘love is stronger than pride’ is a dig to Paul to incite that he stop the disparity and choose love, or that love in the band won over ‘Pride’ - the original band - and therefore perhaps love won over Paul, in its towering strength.
She has certainly had her critics whether it is for a hiatus in touring or recording, rumours about her having a child, offering to buy athletic sport clubs for lovers, being ‘love sick’ or scandals from complications with law enforcement in Jamaica, or ‘walking off of stage’ being other examples. I do get a sense that the energy of the martyr who is punished for her artistry is a very strong theme in her life and fame, and why the Sixth-Line, which goes through a 30 year Third-Line process, sits stronger in evaluation of her life path - in my observation.
I feel had she been a Fifth-Line she would have had a more so ‘responsible’ transpersonal impact on individuals, whether it was music or not, and that the aloof responsibility of her transpersonal impact on the masses, sits reasonably with the Sixth-Line hypothesis.
She also experimented a lot and even was into fashion and modelling before one day finding a hold on a microphone, so the experimentation of the Third-Line also feels suited to the 6/2 outcome, and first phase of her life living as a Third-Line. I also hear this mutation in the diverse signature of her music. The Design-Unconscious Second-Line being below her awareness and speaking to her not understanding the field of projection others wanted from her, as well as this certain knack the Second-Line holds. It is somewhat reported that she didn’t exactly aspire to be a musician, and that she was called into the band ‘Pride’ by a friend, due to a backing singer dropping out, and them needing someone. They even turned her down to begin with, before coming back with ‘mouth’s full of humble pie’ in her own words… I love her so much. Her presence in the band eventually adapted to live improv on set with her becoming the lead and front stage in these breakouts, and eventually the band reforming as Sade.
Music aside, I’d imagine that her initiating a conversation with one would be very overwhelming, she has such a sweet hearted voice with tremendous presence that commands stillness. She is quite the romantic in her songs and love life, and it is super endearing to see her Throat-Center is powered by the Motor-Center of the Heart-Center, as her will to inform from her self worth is evident.
We both share the 26-44 Channel of Surrender as a companionship channel, including Gate-44.2. How incredible it would be to be invited in to work on some music together, or have a cup of tea and conversation about love. I really do sense and admire her sharings on the topic of love and in her work, and her vulnerability of sharing in this way inspires the spirit of this platform Acoustic Mutation.
I really enjoyed her words on finding her current love-partner ‘the one’ who she is reported to be happily in love with to this day.
“I always said that if I could just find a guy who could chop wood and had a nice smile it didn't bother me if he was an aristocrat or a thug as long as he was a good guy. I've ended up with an educated thug.”
★ The Guardian - Sade
A great reminder to single folks lost for love, to keep smiling, love yourself, and do what you do best! Somewhere in the world there is a Sade-esc lover for you, and your chances of meeting them will align by just being yourself and a good person, as informed by Sade herself.
***Confidently Smiles***
★ Alex The Aries
In this post I really have not been able to cover the Integration-Circuitry channels that she has but I did find it interesting to read that Gate-28, which she has in two activations, has a strong relationship to the Channel of Perfected Form 57-20. The definitive describes Gate-28 as:
“You have the energy to redirect the self-absorbed nature of people with Channel 57-20 by prodding them to make their intuitive knowing available to you and to others.”
★ 28-38 The Channel of Struggle - Rave BodyGraph Circuitry
I find this to be a reoccurring theme of her Emotional-Authority waiting in hermit for peace but having the ‘knowing’ to know when to inform us of this. Like to coming down from the roof she seemed to take the entire authority of when she made and released her music, as well as when she made herself available to the public.
Her Uranus-Opposition having been in 2022 has also sparked rumours that she is recording new material at Miraval Studios in France, which has been freshly renovated and reopened by Brad Pitt and producer Damien Quintard. There have also been some more hints to new music with the recent passing of Audio Engineer, Mike Pela, and Sade revealing that they had been working together until ‘the very end’. Mike had worked with her since her debut album Diamond Life in 1984, and Sade described him as ‘a vital force within everything we’ve done’.
May he rest in peace!
Without any new material, she has a solid catalogue to listen to, and I have shared fifteen of my favourite Sade songs in my unofficial playlist and follow up blog post where you will experience Sade like you have never heard her before!
“Singing Songs of Sade.”
★ Spotify Playlist - User Lexi The Libra
You can read about the playlist in the following blog posts B015 & B016, or listen to the selection linked below through Spotify. I hope you enjoyed reading this post and listening to the playlist. Thank You!
@acousticmutation
#acousticmutation #alexthearies #introspectionadaptation
#singingsongsofsade
#sade #sademusic
Post is copyrighted by it’s publishing & with thanks for the free use images and work of:
Image 1:
Neural Love
Image 2:
New York Times
Image 3:
Peter Lindbergh
Image 4:
TheNet.ng
Image 5:
Flashback.com
Image 6:
www.flashback.com
Image 7:
Sade Facebook
Image 8:
Dirt Cobain - West Hollywood
Image 9:
Paul Natkin/Getty Images
Image 10:
Vogue
Image 11:
Albert Watson
Image 12:
sade.com
All BodyGraph and Natal Charts were created by:
Bcurio.us
astro-seek.com
& humanarchetypes.com